One of my favorite contraltos, the Polish concert and opera singer Jadwiga Rappé (above), has passed away at the age of 73. Ms. Rappé performed at the most prestigious venues in Europe, Asia, and North America, and she leaves behind more than fifty recordings. She worked with such illustrious conductors as Chailly, Sir Colin Davies, Harnoncourt, Nagano, Janowski, and Antoni Wit.
I first became intrigued by Ms. Rappé’s voice after hearing a recording of her singing in Krzysztof Penderecki’s Seven Gates of Jerusalem – a work in which she had sung the world premiere performance at Jerusalem in 1997 under the baton of Loren Maazel. In 2001, she sang the premiere performance of Wojciech Kilar’s Missa pro pace at Warsaw, conducted by Kazimierz Kord. Works were composed specially for her contralto voice by Juliusz Łuciuk, Piotr Moss, and Krzysztof Baculewski. In 2008, in Prague, she took part in the world premiere of Ladislav Kubik’s Gong ~ Sinfonietta for solo mezzo-soprano, Mixed choir and orchestra, and in July 2011 she premiered Paweł Mykietyn’s Symphony no.3 at the National Philharmonic in Warsaw.
Jadwiga Rappé’s operatic repertoire included works by Gluck, Handel, Ponchielli, Verdi, Wagner, and Richard Strauss. Erda in Wagner’s RING Cycle was her most frequent stage role: she appeared in nine different premiere productions of the cycle at opera houses around the world, and she recorded the role for EMI under the baton of Bernard Haitink. She scored successes as Gaea in Strauss’s Daphne, and as Clytemnestra.
Her discography includes recordings on several labels: BMG Music, Teldec, Erato, Denon, Orfeo, Philips, Decca, Chandos, CD-Accords, and Naxos.
After retiring from performing, Jadwiga Rappé taught at the Fryderyk Chopin University of Music, and later headed the board of the Witold Lutosławski Society.
Ms. Rappé sings the aria “Weh ihnen, dass sie von mir weichen” from Mendelssohn’s ELIAS here.
And here is “Zasmuconej” by Mieczysław Karłowicz.
The contralto sings “Cagion son io del mio dolore” from Handel’s SERSE here.

Leave a comment