Roxana Constantinescu (above) sings Britten’s LES ILLUMINATIONS in a performance from the Kammermusikfest Lockenhaus, 2014. Pekka Kuusisto is the concert-master.
Watch and listen here.
Roxana Constantinescu (above) sings Britten’s LES ILLUMINATIONS in a performance from the Kammermusikfest Lockenhaus, 2014. Pekka Kuusisto is the concert-master.
Watch and listen here.
Roxana Constantinescu (above) sings Britten’s LES ILLUMINATIONS in a performance from the Kammermusikfest Lockenhaus, 2014. Pekka Kuusisto is the concert-master.
Watch and listen here.
Above: Birgit Nilsson as Brunnhilde
On December 14th, 1963, I heard Wagner’s GOTTERDAMMERUNG (Twilight of the Gods) for the second time. I had been an ardent opera fan for almost 5 years, but delving into the Wagner repertoire was still somewhat daunting. I had first heard GOTTERDAMMERUNG 1962, finding parts of it thrilling and other sections less so. The 1963 broadcast felt more accessible musically, and details of the plot seemed clearer to me.
I recently discovered that the 1963 GOTTERDAMMERUNG broadcast has been posted on YouTube. Listen here.
Brünnhilde: Birgit Nilsson; Siegfried: Hans Hopf; Hagen: Ernst Wiemann; Alberich: Gerhard Pechner; Gunther: Norman Mittlemann; Gutrune: Mary Curtis-Verna; Waltraute: Mignon Dunn; Woglinde: Mary Ellen Pracht; Wellgunde: Rosalind Elias; Flossilde: Gladys Kriese; First Norn: Lili Chookasian; Second Norn: Mignon Dunn; Third Norn: Mary Curtis-Verna; Conductor: Joseph Rosenstock
Actually seeing a RING opera was still i my future, but once I had attended the matinee of Karajan’s magnificent RHEINGOLD in 1969 (part of an unforgettable weekend), the Cycle became an obsession for me. Echoing Wotan: “Den Ring muss ich haben!”
Ever on the lookout for new voices, I very much like this rendering of Pierrot’s Tanzlied from Korngold’s DIE TOTE STADT sung by Canadian baritone William Desbiens, with Julia Lynch at the piano.
Watch and listen here.
Above: the dancers of Lydia Johnson Dance in Lydia Johnson’s For Eli; photo by Dmitry Beryzokin
Saturday September 17th, 2022 – Lydia Johnson Dance performing at New York Live Arts in Chelsea. Having missed two New York seasons due to the ongoing pandemic, the Company took the opportunity to appear at NYLA in September rather than wait until their accustomed performance time in the Spring: the dancers of course were anxious to perform again, and guest artist Craig Hall of New York City Ballet fame was available…so: on with the show!
Unfortunately, I was feeling sick and could not attend any of the performances; but I did see all four of the works being presented when I dropped in at a studio rehearsal the previous week. My friend Dmitry Beryozkin photographed the dress rehearsal, and sent me some images. So this is not a review, really, but simply a photo gallery.
The Company were not idle during the long shutdown: they spent a week at Kaatsbaan, where Lydia worked on new creations, they danced (outdoors) in Connecticut, and they gave a warmly-received studio showing at the Martha Graham Studio Westbeth on May 2022, previewing two new works: Glide Path and For Eli.
Glide Path opened tonight’s show: it’s set to music by the contemporary quartet ETHEL. Here are some of Dmitry’s evocative photos from the dress rehearsal of Glide Path:
Minseon Kim and Chazz Fenner-McBride
Katie Lohiya
Chazz Fenner-McBride and Willy Laury
Emily Sarkissian, Minseon Kim, Amanda Egan, Michael Miles, and Michelle L. Siegel
Willy Laury and Laura DiOrio
Laura DiOrio and Willy Laury
Next came For Eli, a poignant work commissioned by New Jersey-based artist Laura Lou Levy, in memory of her pianist-son Eli, who loved playing the music of Frédéric Chopin.
A series of Dmitry Beryozkin’s images from For Eli:
Michelle L. Siegel, Michael Miles, Minseon Kim, Amanda Egan, and Laura DiOrio
Willy Laury, Michael Miles, Katie Lohiya, Amanda Egan, and Minseon Kim
Katie Lohiya
Amanda Egan, Emily Sarkissian
Chazz Fenner-McBride and Willy Laury
Following the interval, Craig Hall joined Lydia’s dancers for Time…and again, a new work set to Oscar Peterson recordings of jazz standards. This marked a return engagement for the former New York City Ballet star, whose performances in Lydia’s haunting Night and Dreams in 2019, dancing with Laura DiOrio, were deeply moving. Craig and Laura have reunited for Time…and again, joined by three other couples for a series of duets.
Photos from this jazz work by Dmitry Beryozkin:
Katie Lohiya and McGee Maddox
Katie & McGee, Amanda & Laura, Minseon & Michael
Laura DiOrio & Craig Hall
Craig Hall & Laura DiOrio
Laura & Craig
Amanda Egan & Chazz Fenner-McBride
Katie Lohiya & McGee Maddox
Crag Hall
Katie Lohiya with Michael, Laura, and Willy
The music of Henryk Górecki makes a colossal impression in the evening’s concluding work, Undercurrent. Here are some of Dmitry Beryozkin’s pictures from this ballet:
McGee Maddox, Chazz Fenner-McBride, and Michael Miles
Students from Lydia’s school participated in the finale of Undercurrent
The Company women in swirling red skirts
The full Company onstage
Michael Miles and Minseon Kim, center
Michael Miles and student dancer Stella Weihrauch
Laura DiOrio, aloft, as Undercurrent come to an end
All photos by Dmitry Beryozkin
~ Oberon
The great Polish soprano Teresa Zylis-Gara sings the title-role in Puccini’s MADAMA BUTTERFLY from a 1976 Met broadcast. John Alexander, Nedda Casei, and Theodor Uppman have the other leading roles, and Richard Woitach conducts.
Listen here.
Above: soloists David Bizic and Karina Gauvin, and conductor Laurence Equilbey
A performance of Gabriel Fauré’s REQUIEM from the Festival de Saint Denis, 2010.
Watch and listen here.
Karina Gauvin, soprano
David Bizic, baritone
Ensemble Orchestral de Paris
Choeur Accentus
Laurence Equilbey, conductor
Above: soloists David Bizic and Karina Gauvin, and conductor Laurence Equilbey
A performance of Gabriel Fauré’s REQUIEM from the Festival de Saint Denis, 2010.
Watch and listen here.
Karina Gauvin, soprano
David Bizic, baritone
Ensemble Orchestral de Paris
Choeur Accentus
Laurence Equilbey, conductor
Giovanna Casolla (above) sings Minnie in a 1991 performance of Puccini’s LA FANCIULLA DEL WEST from La Scala. Giuseppe Giacomini is Dick Johnson and Jean-Philippe Lafont is Jack Rance. Lorin Maazel conducts.
Listen here.
Above: soprano Anne McKnight, aka Anna de Cavalieri
A very interesting audio-only performance of TURANDOT from a 1965 RAI broadcast has turned up on YouTube. Listen here.
Anna de Cavalieri was the Italian stage-name of the American soprano Anne McKnight. Read about her here. Giuseppe Valdegno was Toscanini’s Amonasro, Iago, and Falstaff. I wrote briefly about Lydia Marimpietri here.
CAST
Turandot – Anna Di Cavalieri; Calaf – Gianfranco Cecchele; Liù – Lydia Marimpietrl; Ping – Giuseppe Valdengo; Pang – Mario Carlin; Pong – Tommaso Frascati; Timur – Elio Castellano; Emperor Altoum – Mario Binci; Mandarin – Giandomenico Alunno
Conductor: Ferruccio Scaglia