Category: Reviews

Sunday December 19th, 2021 – Chamber Music Society of Lincoln Center‘s annual Yuletide performances of Bach’s immortal Brandenburg Concertos are always a highlight of the New York musical season. Music lovers turn out on droves for each of the program’s three presentations, giving themselves an early Christmas gift.

One tradition at the CMS Brandenburgs is the annual reshuffling of the order in which the six concetros are played. This year, the odd-numbered concertos were played first, with the even-numbered ones coming after the interval.

The 1st Brandenburg (in F-major) briought together the program’s largest ensemble of players, which produced a wonderful fullness of sound. The wind instrument lineup tonight was impressive indeed: there are three oboes, led by Stephen Taylor with Randall Ellis and Mr. Smith, two mellow horns (David Byrd-Marrow and Stewart Rose); and Marc Goldberg’s rich-toned bassoon. On the string team, led by violinist Daniel Philllips (excellent in the Adagio), Arnaud Sussmann and Sean Lee (violins) were joined by Che-Yen Chen (viola) and Dimitri Atapine (cello). The outstanding continuo duo – Kenneth Weiss (harpsichord) and Joseph Conyers (double bass)- made marvelous music all evening. Mr. Phillips made a lovely thing of the Adagio, where he and Mr. Taylor duetted cordially. The bustling Allegro drew a warm round of applause, but then comes a built-in ‘encore’, in which the wind players outdid themselves.

The 3rd concerto, in G-major, is unique in that the anticipated central slow movement is replaced by a mere couple of chords and a violin flourish before going immediately on to the exhilarating Allegro. Bach calls for three trios of strings: violinists Sean Lee, Arnaud Sussmann, and Alexander Sitkovetsky gave us lively playing in the opening movement, whilst Mr. Phillips traded his violin for his viola to join Mr. Chen and Yura Lee. Add the cello trio of Timothy Eddy, Mr. Atapine, and Inbal Segev, and you have a veritable string-fest. My companion, Cherylyn Lavagnino and I were much taken with Mr. Conyers’ rich and nimble bass playing. The final Allegro sailed blithely onward: so many notes! 

In the 5th concerto (in D-major), harpsichordist Kenneth Weiss mesmerized the crowd with his fantastic playing of the long cadenza; people stood up and cheered when he stepped forward for a bow at the end of the evening’s first half. From its familiar opening theme, the 5th concerto puts the violin (Sean Lee) and the flute (Ransom Wilson) in the spotlight; these two gentlemen played the central Affetuoso divinely, whilst Mr. Weiss’s harpsichord cunningly etched a filigree around their melodies. In the concerto’s light and lively final Allegro, Mssrs. Sitkovetsky, Phillips, Eddy, and Conyers were a top-class ensemble. 

Following the interval, flautist Tara Helen O’Connor drew a warm welcome as she walked out onto the Tully Hall stage, goddess-like in a glimmering red gown. Yura Lee and Inbal Segev had also chosen red frocks for the evening, giving the scene a festive Yuletide glow.  In the 2nd concerto (in F-major), dazzling trumpet virtuosity from David Washburn set the hall alight, whilst Ms. O’Connor’s timbre had its familiar crystalline clarity.

In the Andante, the quartet of Ms. O’Connor, James Austin Smith (oboe), Arnaud Sussmann (violin), and Timothy Eddy (cello) wove a tapestry of sound that warmed the soul: simply perfect. Then Mr. Washburn’s trumpet calls rang out, summoning us to revel in the concerto’s festive finale. A rock-star ovation saluted these extraordinary musicians as they returned for a bow.

Yura Lee and Che-Yen Chen put us under a viola spell with their playing of the 6th concerto (B-flat major) – the one in which no violins are heard: a trio of cellists (Mr. Atapine, Ms. Segev, and Mr Eddy) and the continuo players are all Bach needed here. The Adagio – one of Bach’s most moving and melodious inventions – was entrancing as Ms. Lee and Mr. Chen exchanged phrases. This could have gone on and on – such a balm to the ear – but the closing Allegro sweeps us inexorably forward with its thrice familiar theme..

The evening ended with the fourth concerto (in G-major), in which Alexander Sitkovetsky dazzled us with his silky tone and incredible dexterity. Duetting flautists Ransom Wilson and Tara Helen O’Connor displayed jewel-like qualities in their playing of the animated phrases of the outer movements, whilst bringing a sweet sadness to the harmonies of the central Andante. Mr. Conyers’ double bass and Ms. Segev’s cello provided a resonant counterpoise to the high voices of the flutes and violin. Then we are down to the final Presto: a fugue-like race in which Mr. Sitkovetsky’s fabulous virtuosity led his colleagues in a final sprint to a victorious finish. The audience saluted the musicians with a vociferous standing ovation, recalling them for a second bow.

Leaving Alice Tully Hall, which has become dear to me over these past few years as a refuge of peace and beauty in an increasingly perilous world, we stepped out into the brisk evening air, feeling on top of the world. How wonderful to experience this concert with my friend Ms. Lavagnino, who is truly a kindred spirit.

~ Oberon