Oberon's Glade

Tag: Hanzhi Wang

  • Accordion & Saxophone @ The Morgan Library

    Yca

    Above: Steven Banks and Hanzhi Wang

    Tuesday February 22nd 2023 – Young Concert Artists presenting a noontime concert at The Morgan Library featuring the unusual combination of accordion and saxophone. The players – Hanzhi Wang (accordion) and Steven Banks (saxophone) – have both previously appeared at The Morgan in solo recitals; they are brilliant, unique artists, and I was eager to hear them live again. But the afternoon did not turn out as planned.

    We settled into our seats, but after a few minutes we were shivering. We put our coats back on, but the damp chill was pervasive. Looking around, it seemed that everyone in the audience was bundled up, and I was recalling an evening many years ago when the young Frederica von Stade gave a recital in a frigid hall in Syracuse, NY, where the maintenance staff had inadvertently shut off the heat; luckily, someone located a small space heater which was set up onstage to keep the singer somewhat warm.

    This afternoon’s musicians took the stage, Mr. Banks towering over the petite Ms. Wang. They launched their program with an arrangement of Handel’s Recorder sonata in G-minor, HWV 360; it took a moment to adjust to the brighter sound of the saxophone in music we are accustomed to hearing played with the softer timbre of the recorder, but Mr. Banks immediately scaled back his dynamic palette, bringing delicious subtleties to the music. Meanwhile Ms. Wang, looking so lovely in her pleated white frock, transformed her accordion into a compact organ, playing with such cordial tone and bending the phrases with consummate skill. As he music veered from courtly to festive, the players were wonderfully in sync and so attentive to one another, making for a musical treat.

    Three miniatures by Krzysztof Penderecki – the great and sorely missed Polish master-composer – were so fascinating to hear. The first, Allegro, is weirdly spastic; it seems to reach its quirky end in a matter of seconds, with the players wryly relishing the innate humour of the piece. A dark and doleful Andante cantabile followed, the timbres of the two instruments blending to perfection. The concluding Allegro ma non troppo is a bouncy dance, polished off zestfully by Ms. Wang and Mr. Banks.

    Now Ms. Wang offered excerpts from Bach’s Goldberg Variations: the very familiar Aria, played with great depth of feeling, followed by four variations which called for all manner of fanciful fiorature, dispatched with effortless grace and polish by this remarkable virtuoso.

    Virtuosity continued in abundance as Ms. Wang gave us two works by Martin Lohse: Autumn Rain, with its dotty raindrops sparklingly defined, and the more somber Winter’s Tale, in which gentle snowflakes drift down on an overcast wintry afternoon. Ms. Wang’s incredible dexterity was simply mind-boggling to observe, her fingers flying nimbly over the keys as she spun out the music, much to our delight.

    But we were now chilled to the bone, and we silently agreed that we needed to leave and seek some warmth. We slipped up the stairs as the stage was being set for the next piece, and a few other audience members followed us out. I was sorry to miss Mr. Banks’s set, and the anticipated Astor Piazzolla finale.

    ~ Oberon

  • Accordion & Saxophone @ The Morgan Library

    Yca

    Above: Steven Banks and Hanzhi Wang

    Tuesday February 22nd 2023 – Young Concert Artists presenting a noontime concert at The Morgan Library featuring the unusual combination of accordion and saxophone. The players – Hanzhi Wang (accordion) and Steven Banks (saxophone) – have both previously appeared at The Morgan in solo recitals; they are brilliant, unique artists, and I was eager to hear them live again. But the afternoon did not turn out as planned.

    We settled into our seats, but after a few minutes we were shivering. We put our coats back on, but the damp chill was pervasive. Looking around, it seemed that everyone in the audience was bundled up, and I was recalling an evening many years ago when the young Frederica von Stade gave a recital in a frigid hall in Syracuse, NY, where the maintenance staff had inadvertently shut off the heat; luckily, someone located a small space heater which was set up onstage to keep the singer somewhat warm.

    This afternoon’s musicians took the stage, Mr. Banks towering over the petite Ms. Wang. They launched their program with an arrangement of Handel’s Recorder sonata in G-minor, HWV 360; it took a moment to adjust to the brighter sound of the saxophone in music we are accustomed to hearing played with the softer timbre of the recorder, but Mr. Banks immediately scaled back his dynamic palette, bringing delicious subtleties to the music. Meanwhile Ms. Wang, looking so lovely in her pleated white frock, transformed her accordion into a compact organ, playing with such cordial tone and bending the phrases with consummate skill. As he music veered from courtly to festive, the players were wonderfully in sync and so attentive to one another, making for a musical treat.

    Three miniatures by Krzysztof Penderecki – the great and sorely missed Polish master-composer – were so fascinating to hear. The first, Allegro, is weirdly spastic; it seems to reach its quirky end in a matter of seconds, with the players wryly relishing the innate humour of the piece. A dark and doleful Andante cantabile followed, the timbres of the two instruments blending to perfection. The concluding Allegro ma non troppo is a bouncy dance, polished off zestfully by Ms. Wang and Mr. Banks.

    Now Ms. Wang offered excerpts from Bach’s Goldberg Variations: the very familiar Aria, played with great depth of feeling, followed by four variations which called for all manner of fanciful fiorature, dispatched with effortless grace and polish by this remarkable virtuoso.

    Virtuosity continued in abundance as Ms. Wang gave us two works by Martin Lohse: Autumn Rain, with its dotty raindrops sparklingly defined, and the more somber Winter’s Tale, in which gentle snowflakes drift down on an overcast wintry afternoon. Ms. Wang’s incredible dexterity was simply mind-boggling to observe, her fingers flying nimbly over the keys as she spun out the music, much to our delight.

    But we were now chilled to the bone, and we silently agreed that we needed to leave and seek some warmth. We slipped up the stairs as the stage was being set for the next piece, and a few other audience members followed us out. I was sorry to miss Mr. Banks’s set, and the anticipated Astor Piazzolla finale.

    ~ Oberon

  • Omer Quartet | Hanzhi Wang @ YCA

    Hanzhi+Wang

    Above: Hanzhi Wang

    ~ Author: Oberon

    Wednesday January 29th, 2020 – For this concert in their noon-time series at The Morgan Library, Young Concert Artists brought together the Omer Quartet and accordionist Hanzhi Wang in a wide-ranging program.

    Ms. Wang opened the performance with three Scarlatti keyboard sonatas, K. 9, 146, and 159. These amply displayed Ms. Wang’s agile technique and rhythmic control. Her swift filigree passages were deftly dispatched, and the rich sound of the instrument’s lowest range added an earthy dimension; in fact, the music took on an appealing – almost folkish – quality at times. Woven into the accordionist’s exhilarating playing were some wonderful subtle touches. Very quickly, Ms. Wang had audience in the palm of her hand.

    Alfred Schnittke’s Revis Fairy Tale, dating from 1978, is a suite of dances which – truly – made me feel like dancing. In the first of four movements, Chichikov’s Childhood, the music is quite melodious and feels traditional; here Ms. Wang’s broad dynamic range came into play. The second movement, Officials, brought SWAN LAKE to mind…specifically, the ‘four cygnets’ motif. The music takes on a more ‘modern’ feel, with discordant passages of jazzy angularity cropping up. Waltz has a somber start, and the melody is low-lying. Later, one feels the waltzers might be drunk…or dotty. After a rise of passion, the music turns dour and ends with a downward slide. The concluding Polka was a lot of fun, with Ms. Wang breezing thru the composer’s demands and winning a burst of enthusiastic applause. 

    Moritz Moszkowski’s Etincelles figured in Ms. Wang’s 2018 concert at Zankel Hall, and I enjoyed encountering it again today. Full of almost giddy scales, and covering the accordion’s very wide range, the piece is a charming showpiece for Ms. Wang, with a witty ending.

    Omer Quartet

    Above, the Omer Quartet: Mason Yu (violin), Jinsun Hong (viola), Alex Cox (cello), and Erica Tursi (violin).

    The Omer Quartet then took the stage for a very impressive performance of Haydn’s String Quartet in G-minor, opus 20, #3. The opening movement, Allegro con spirito, is full of mood swings. Immediately, the congenial blend of voices these players have achieved together assures us we are in for a treat. First violinist Mason Yu is a master of dynamic subtlety, and he and his colleagues illuminated the music in a perfectly-paced performance, with hints of hesitations here and there an added delight.

    In the Minuetto, Mr. Yu brings sweetness of tone to the poignant violin melody whilst the other players weave harmonies tinged with sadness. In the more optimistic interlude, things cheer up a bit although minor-key twinges continue to intrude. A return to the opening mood carries the music forward, but then it seems to stop in mid-phrase.

    Already at such a high level, the Omer Quartet went beyond in the Adagio, creating a palpably poetic atmosphere with playing of searing beauty. Emerging from the movement’s chorale-like opening, cellist Alex Cox commences a moving line that flows among lovely harmonies. Mr. Yu’s high pianissimo passages waft on the air, and violist Jinsun Hong and violinist Erica Tursi have opportunities to shine. Throughout, the cellist’s glowing tone and expressive phrasing are captivating.

    The final Allegro molto is animated – even agitated – veering between major and minor, with infinitesimal hesitancies along the way. The cumulative effect of the Omer’s Haydn this afternoon was both musically engrossing and emotionally gratifying. 

    Young Concert Artists composer Katherine Balch then introduced her work for string quartet, With each breathing, which she said was inspired by the notion of expressing aspects of the act of breathing in musical terms. The work’s title seemed somewhat ironic, but in fact the composer succeeded in her intent with music ranging from sighs and whispers to more labored and dramatic effects. The work’s exploration of textures was ideally set forth by the musicians of the Omer Quartet: a composer could not ask for better advocates.

    For the afternoon’s finale, excerpts from Five Tango Sensations by Astor Piazzolla brought together Ms. Wang and the Omer Quartet; this music had figured prominently in the accordionist’s 2018 Zankel Hall concert. With an intrinsic feel for both the allure and the danger that threads thru these tangos, the five musicians brought rich, haunting colours and irresistible rhythmic sway to the music.

    This highly enjoyable concert ended with the artists receiving a very warm ovation. The hall’s size and acoustic make it ideal for chamber music. And was that Anne-Marie McDermott seated a couple of rows in front of us?

    The performance was live-streamed, and may be seen here.

    ~ Oberon