Tag: On October

  • Coming Out ~ 50 Years Ago Today

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    On October 27th, 1973, after spending a very long time in the closet, I had my first gay sexual experience. It was both thrilling and a bit frightening, but what I remember most was a great feeling of relief…and then wondering why it had taken me so long to do it.

    That day, I had spent the long afternoon with several of my opera-friends at The Met watching LES TROYENS  It was my first time seeing this monumental work, and it was unbearably exciting. Among the group was Z, the boy I had set my sights on since moving back home from Houston earlier in the year.

    Looking back, it all seemed pre-arranged, but at the time it felt spontaneous. After the Berlioz matinee, our friends all went their separate ways. But Z and I had 5th Ring tickets for an evening performance of FAUST at the New York City Opera. He sat in front of me in the single seats, whilst I was aching with desire; at this point, nothing had been said about spending the night together. 

    After Marguerite had succumbed to Faust’s poetic charms in the Garden Scene, we mutually decided it was time to leave. Z looked at his watch and announced that he’d missed the “last bus” home. Haltingly I said, “You can stay with me at the hotel.”

    We walked over to the Henry Hudson; nothing much was being said. We stayed up for a while, talking opera, and then it was time. He sat on the twin bed, undressing. “Should I sleep in the chair?” he asked. “I’ve slept in smaller beds with bigger people…” I replied. (This was a lie; I had only ever slept with my girlfriend, and always in big beds).

    So, keeping our briefs on, we got under the covers and turned out the lights. For what felt like an eternity, nothing happened. I began to think that maybe I had mis-read the situation and that we were simply going to sleep together. He had his back to me; the warmth and smell of his body were killing me. Suddenly, I put my arms around him, and several wonderful things happened. 

    After a while, we grew drowsy. “I’ve never done this before,” I said sleepily. “Me neither!” he replied. Keeping him in my arms, we drifted off.

    Waking to daylight, I got quickly out of bed and got dressed: I was meeting friends for breakfast. Z was groggy; he dressed slowly. I assumed he would head home, but – without saying anything – he tagged along to the diner.

    Our friends were obviously intrigued when we showed up together, but nothing was said. Only the quiet, bookish TJ looked at me knowingly. The conversation turned to the inevitable topic – opera – and my magical “morning after” became just another day.

    The aftermath: in the ensuing weeks, whenever I was in New York City, Z was friendly on the surface, but evasive on a personal level. He stood me up for a couple of lunch dates. I was naive enough to think that, because we had shared a sweet experience, we would become lovers. I became distraught.

    Unhappy to the core, I confided in TJ. He listened to my story patiently, then told me that Z already had a boyfriend and that he was unlikely to become the lover I was looking for. TJ and I spent more and more time together, and I became very comfortable with him as my confidante. Finally, I invited him to visit me in the little town. Our first night was awkward: I was such a novice, but he – who was four years younger than me – was already pretty experienced, starting with having been raped by his college roommate. 

    Over time, TJ and I developed a deep relationship; he invited me to spend the summer of 1974 with him on Cape Cod, working for a small-time ballet company. At summer’s end, I drove him to Sarah Lawrence where his senior year was about to begin.

    Our unspoken plan was to resume our lives – he at school and me back in the little town – and see each other whenever I came to the City. As we sat in the car saying goodbye, he suddenly started crying; it was then that I realized how strong our attachment was. Instead of leaving, I spent the night in the dorm with him. I left the next morning, but a few days later I received a letter from him, asking me to come and live with him in the dorm.

    This was the beginning of my life, really. When TJ had finished school, we moved to Hartford, where I spent the next 22 years. After a year, our domestic life faltered when I became smitten with someone else. TJ and I had a bad break-up, and he never spoke to me again. I embarked on a long and promiscuous journey, having a strange tendency to fall in love with everyone I slept with. 

    Meanwhile, my ultimate goal – to be living in New York City before my 50th birthday – loomed before me. At times, I thought it would never happen; but by a simple twist of fate, I moved to My City three months before the date I had set for myself.

    ~ Oberon

  • Matti Salminen as Hagen

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    On October 21st, 1988, basso Matti Salminen (in a Marty Sohl photo, above) enjoyed a huge personal triumph with his magnificent portrayal of Hagen at the Metropolitan Opera’s premiere performance of the Otto Schenk production of GOTTERDAMMERUNG, with James Levine on the podium. I was there, and it was one of the great nights in my opera-going career.

    This excerpt comes from the 1993 broadcast of the Wagner masterwork:

    Matti Salminen as Hagen – Met 1993

  • Rehearsal: Janusphere Dance Company

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    Thursday September 29, 2011 – On October 7th and 8th, Janusphere Dance Company will present DEVELOPING HORIZONS at the Ellen Stewart Theatre (aka LaMaMa), 66 East 4th Street. Ticket information here. Works choreographed by Darion Smith (the Company’s director), Selina Chau and Danielle Genest will be performed. Since Kokyat and I are unable to attend the performances, Darion very kindly arranged for us to watch a rehearsal tonight at the DANY studios. Above: Marie Lorena Fichaux and Milan Misko.

    It’s always nice to walk into a studio and see people we know: Milan Misko, Leyland Simmons, Selina Chau and Luke Manley. The dancers new to us each all made excellent individual impressions and we’ll look forward to seeing them again. Darion’s choreography is demanding both in terms of technique and partnering; the dancers worked tirelessly throughout the three hour rehearsal while Kokyat recorded their work with his two cameras.

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    Matt Van Buskirk

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    Anne-Sophie Rodriguez and Marie Lorena Fichaux

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    Leyland Simmons

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    Misei Daimaru and Luke Manley

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    Marie Lorena Fichaux and Milan Misko

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    Choreographer Selina Chau with dancer So Young An. Selina has created an expressive solo entitled Ashley on this lovely young dancer. They worked together on developing the gestural nuances that are the key to the solo.

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    So Young An

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    So Young An in Selina Chau’s Ashley

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    Anne-Sophie Rodriguez, Milan Misko

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    Eun Jung Jung, Luke Manley

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    Milan Misko, Marie Lorena Fichaux

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    Luke Manley, Misei Daimaru

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    Milan Misko, Marie Lorena Fichaux

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    Darion Smith

    All photos by Kokyat.