Tag: Sarah Starkweather

  • At Amanda Selwyn’s Open Rehearsal

    AmandaSelwynAileyOpenRehearsal_hheron-314

    Above: Sarah Starkweather, Manon Halley, and Misaki Hayama of Amanda Selwyn Dance Theatre; photo by Hayim Heron

    ~ Author: Oberon

    On Monday, October 15th, 2018, I caught up with Amanda Selwyn when her company presented an open rehearsal at the Ailey Studios.

    Over the past few years, my interest in dance has slowly been fading. But there are a few choreographers who will always draw me back, and Amanda is one of them; I can honestly say I’ve never seen a Selwyn work I didn’t like…or love.

    So when I received an invitation to an open rehearsal of Amanda’s new work-in-progress, CROSSROADS, I rearranged my schedule so as to attend. Inspired by the art of Magritte and Escher, Amanda is collaborating with scenic and costume designer Anna-Alisa Belous for this production. CROSSROADS will be performed June 20th thru 22nd, 2019, at New York Live Arts.

    Amanda Selwyn’s danceworks are always a collaborative effort on the part of choreographer and her dancers. In the early phases of creation, the individual dancers come up with phrases or gestures. These movement motifs are taken up by the company, tried in unison. If the consensus is positive, the phrase becomes an experimental element which may be elaborated upon, broken down or re-shuffled, and finally assimilated into the dance. These motifs may appear in various guises – as solo, duet, or ensemble passages – as the work develops. Amanda is the mastermind who assembles, enhances, and molds the finished product.  

    So this evening, I was really happy to see Amanda again, she being one of my favorite danceworld personalities. Three women I’ve met before – Torrey McAnena, Manon Halley, and Sarah Starkweather – are pillars of the Selwyn ensemble. I was delighted to see that Misaki Hayama, who danced recently with Roberto Villanueva’s BalaSole Dance Company, has joined Amanda’s troupe. Alex Cottone has danced for Amanda before, but I had not previously met him. Two new male dancers have just recently joined the Company: tall and athletic Fabricio Seraphim, and a vibrant, energetic young man named Yoshio Pineda.

    Here are some images by Hayim Heron from this studio presentation:

    AmandaSelwynAileyOpenRehearsal_hheron-588

    Alex Cottone

    AmandaSelwynAileyOpenRehearsal_hheron-419

    Torrey McAnena

    AmandaSelwynAileyOpenRehearsal_hheron-226

    Fabricio Seraphim and Torrey McAnena

    AmandaSelwynAileyOpenRehearsal_hheron-489

    Manon Halley

    AmandaSelwynAileyOpenRehearsal_hheron-199

    Sarah Starkweather, Alex Cottone

    AmandaSelwynAileyOpenRehearsal_hheron-491

    Misaki Hayama, Sarah Starkweather, Yoshio Pineda

    AmandaSelwynAileyOpenRehearsal_hheron-275

    Torrey McAnena

    AmandaSelwynAileyOpenRehearsal_hheron-335

    Sarah Starkweather

    All photography by Hayim Heron

    It was simply great to watch these dancers, and to feel re-connected to Amanda Selwyn’s work. Now I need to get in touch with her and visit some upcoming rehearsals.

    ~ Oberon

  • At Amanda Selwyn’s Open Rehearsal

    AmandaSelwynAileyOpenRehearsal_hheron-314

    Above: Sarah Starkweather, Manon Halley, and Misaki Hayama of Amanda Selwyn Dance Theatre; photo by Hayim Heron

    ~ Author: Oberon

    On Monday, October 15th, 2018, I caught up with Amanda Selwyn when her company presented an open rehearsal at the Ailey Studios.

    Over the past few years, my interest in dance has slowly been fading. But there are a few choreographers who will always draw me back, and Amanda is one of them; I can honestly say I’ve never seen a Selwyn work I didn’t like…or love.

    So when I received an invitation to an open rehearsal of Amanda’s new work-in-progress, CROSSROADS, I rearranged my schedule so as to attend. Inspired by the art of Magritte and Escher, Amanda is collaborating with scenic and costume designer Anna-Alisa Belous for this production. CROSSROADS will be performed June 20th thru 22nd, 2019, at New York Live Arts.

    Amanda Selwyn’s danceworks are always a collaborative effort on the part of choreographer and her dancers. In the early phases of creation, the individual dancers come up with phrases or gestures. These movement motifs are taken up by the company, tried in unison. If the consensus is positive, the phrase becomes an experimental element which may be elaborated upon, broken down or re-shuffled, and finally assimilated into the dance. These motifs may appear in various guises – as solo, duet, or ensemble passages – as the work develops. Amanda is the mastermind who assembles, enhances, and molds the finished product.  

    So this evening, I was really happy to see Amanda again, she being one of my favorite danceworld personalities. Three women I’ve met before – Torrey McAnena, Manon Halley, and Sarah Starkweather – are pillars of the Selwyn ensemble. I was delighted to see that Misaki Hayama, who danced recently with Roberto Villanueva’s BalaSole Dance Company, has joined Amanda’s troupe. Alex Cottone has danced for Amanda before, but I had not previously met him. Two new male dancers have just recently joined the Company: tall and athletic Fabricio Seraphim, and a vibrant, energetic young man named Yoshio Pineda.

    Here are some images by Hayim Heron from this studio presentation:

    AmandaSelwynAileyOpenRehearsal_hheron-588

    Alex Cottone

    AmandaSelwynAileyOpenRehearsal_hheron-419

    Torrey McAnena

    AmandaSelwynAileyOpenRehearsal_hheron-226

    Fabricio Seraphim and Torrey McAnena

    AmandaSelwynAileyOpenRehearsal_hheron-489

    Manon Halley

    AmandaSelwynAileyOpenRehearsal_hheron-199

    Sarah Starkweather, Alex Cottone

    AmandaSelwynAileyOpenRehearsal_hheron-491

    Misaki Hayama, Sarah Starkweather, Yoshio Pineda

    AmandaSelwynAileyOpenRehearsal_hheron-275

    Torrey McAnena

    AmandaSelwynAileyOpenRehearsal_hheron-335

    Sarah Starkweather

    All photography by Hayim Heron

    It was simply great to watch these dancers, and to feel re-connected to Amanda Selwyn’s work. Now I need to get in touch with her and visit some upcoming rehearsals.

    ~ Oberon