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  • Anna Maria Rota

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    Anna Maria Rota is perhaps best known to opera-lovers for her appearance as Maddalena on the old, classic RCA recording of Verdi’s RIGOLETTO, with Roberta Peters, Jussi Bjoerling, and Robert Merrill. It was one of the first LP opera sets I owned as a youngster. I loved it, and played it til it wore out, though I was somewhat put off by what seems to be the noticeable sound of the conductor Jonel Perlea breathing heavily much of the time.

    Lately, in a quest for tracking down souvenirs of some of the voices I enjoyed in my earliest days of listening to opera, I found some good Rota-rarities, such as these:

    Anna Maria Rota – Liber Scriptus~Verdi REQUIEM – RTF 1960

    Anna Maria Rota – O don fatale ~ DON CARLO 1961

    {Note: It takes a few moments for the “O don fatale” to start playing.}

  • Forgotten French Artists

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    Above: Une philosophe, by Jean Louis Ernest Meissonier, c.1878

    Another wonderful article from Artsy: LINK

  • Claudia Schreier’s SOLITAIRE @ Vail

    Unity Phelan, Zachary Catazaro and the Catalyst Quartet in Claudia Schreier's Solitaire. Photo by Erin Baiano (3)

    Above: New York City Ballet’s Unity Phelan and Zachary Catazaro in the pas de deux from Claudia Schreier’s SOLITAIRE; photo by Erin Baiano for the Vail International Dance Festival

    SOLITAIRE, the newest ballet from choreographer Claudia Schreier, premiered at the Vail International Dance Festival on August 8th, 2016. The ballet was danced by Unity Phelan, Zachary Catazaro, Joseph Gordon (all of New York City Ballet) and Da’Von Doane (of Dance Theater of Harlem). The music, by Dmitri Shostakovich and Alfred Schnittke, was performed live by New York City Ballet‘s pianist deluxe Cameron Grant, and the Catalyst Quartet.

    I’m so pleased to share this video recording by Nel Shelby Productions of this new ballet’s world premiere performance: LINK

    Erin Baiano photographed the premiere of SOLITAIRE, and here are some of her wonderful images:

    Unity Phelan, Joseph Gordon, Da'Von Doane, pianist Cameron Grant and the Catalyst Quartet in Claudia Schreier's Solitaire. Photo by Erin Baiano

    Above: Unity Phelan, with Joseph Gordon and Da’Von Doane

    Unity Phelan, Zachary Catazaro, Joseph Gordon and Da'Von Doane in Claudia Schreier's Solitaire. Photo by Erin Baiano

    Above: a pose from SOLITAIRE‘s first section

    Unity Phelan, Zachary Catazaro and the Catalyst Quartet. Photo by Erin Baiano

    Above: Unity Phelan and Zachary Catazaro in the pas de deux

    Unity Phelan and Claudia Schreier bowing at the Vail International Dance Festival

    Above: ballerina Unity Phelan and choreographer Claudia Schreier take a bow following the premiere of SOLITAIRE, which drew a standing ovation from the Vail audience.

    All production photos by Erin Baiano.

  • US Open Qualifiers 2016

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    Above: US Open ball-boys waiting for the first match of the day

    Wednesday August 24th, 2016 – Last summer, I only made it out to the US Tennis Center for two days of the 2015 US Open Qualifying Tournament. This year, I was hoping to make it three days, but looking at the schedule for Tuesday it seemed that none of the players I am most interested in seeing were going to play til Wednesday, so I decided to skip the opener (despite perfect weather) and head out to Queens for day 2.

    After a sluggish ride on the #7 train, I got to the Center with time to do a walkabout before my first match. Major changes have been made: the new Grandstand is ready for use, walkways have been widened, and the addition of more restrooms and drinking fountains will be a boon when the crowds pour in for the main tournament next week.

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    I couldn’t have asked for a more enjoyable day of tennis than what today offered. Mercifully, there’s been a lull in the recent heatwave, though temperatures will soon start creeping upwards again; hopefully last year’s catastrophic Hell-like conditions at the Open won’t be repeated. Honestly, I don’t know how the players do it: especially on certain courts, the sun is utterly merciless and there is no place to hide from it.

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    My day started with checking out a new (to me) player: China’s Yan Bai (above). He was facing the American Noah Rubin, who was a huge favorite with the very large crowd that had gathered for this qualifying match. Yan Bai seemed out-of-sorts, and after watching him lose three games in a row, I wandered over to have a look at his compatriot Ying-Ying Duan. I later learned that Yan Bai retired from his match, leaving Rubin to proceed into the second round.

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    Things were rosier for Ying-Ying Duan (above). After losing a tight first set to the Tunisian Ons Jabeur, the Chinese woman’s athleticism and power prevailed: she dominated in the two remaining sets.

    I then went out to the far courts to have a look at the new Grandstand; while there, I could hear the sound of some really big hitting coming from court 4, so I went to see who was playing, and found a really exciting match in progress.

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    The players were João Souza (Brazil), above…

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    …and Andrew Whittington (Australia), above.

    Whittington has a cracking serve which Souza was pretty much able to reply to: they pounded away on point after point. The Aussie’s tendency to over-hit allowed the Brazilian to take the upper hand; if Whittington can develop the accuracy to match his power, he will be a force to be reckoned with. 

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    Souza reveled in his return-of-serve ability; his own serve (above) has an almost operatic quality: a slow build-up leading to a walloping bang! The final score of 6-4, 6-4 doesn’t quite reflect the threat Whittington posed, but Souza carried the day. It was a hard-fought match, and the forceful, charismatic Brazilian enjoyed vociferous support from his fans.

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    Above: João Souza takes a celebratory selfie with fans after the match.

    The rest of my day was vastly pleasing, as three of my favorite players notched up straight-set victories over combative opponents.

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    Japan’s Yuichi Sugita (above) was the #1 seed among the qualifiers this year, and in his spirited match against the Frenchman Alexandre Sidorenko, the handsome Japanese displayed the wonderfully neat and crafty aspects of his game that make him a formidable opponent.

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    Sugita is a stylish player who likes to maintain cool control over his matches. That he can also dig deep and show a ferocious willpower was displayed in the sixth game of the first set where Sugita came from being 0-40 down on his serve to win the game in a series of impressively-constructed points. I truly enjoyed watching him play.

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    Above: Steve Darcis

    I made it over to Court 17 (“The Oven”) just in time for the start of the Steve Darcis match. Steve is a Belgian player who I have admired since first seeing him play at the 2007 US Open Qualifiers. In the ensuing years, his career has been something of a roller-coaster: once ranked as high as #44 worldwide, he seems to have been hampered by injuries which have kept him from attaining the position in the tennis world one might expect from him, given his skills. When he’s on, he is ON…he plays textbook, winning  tennis, and he’s a joy to watch.

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    And that is exactly what we saw today: Steve Darcis methodically dismantled the game of American Tommy Paul, a bigger and stronger player. Undeterred by the blistering mid-day heat, the Belgian found his rhythm immediately and played some gorgeous points: his shot placement is just so much fun, and he can vary the pace by sumptuously floating the ball over the net, achieving enviable depth and control.L1760497

    The crowd was very pro-Paul; Steve barely got a hand-clap when his name was announced. A bit later, a group of enthusiastic Darcis supporters arrived at the court, supporting him with shouts of “Allez! Allez, Steve!” Darcis marched to victory as if it was pre-destined. I was able to catch up with him on his walk back to the clubhouse; literally drowning in sweat, he thanked me for my congratulations. 

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    After the exhilaration of the Darcis win, I wanted the best possible finish to my wonderful day of tennis, and it was Japan’s Go Soeda (above) who gave me just what I was looking for. The day had turned sublime: a breeze had kicked up, shadows fell atmospherically across the courts, most of the children had been taken home, and a crowd of serious tennis-lovers ringed Court 6 for Go’s match against the Roumanian Marius Copil.

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    Go Soeda would probably be considered a veteran player at this point, yet his still-boyish looks, taut physique, and bursts of energetic bravado remain intact; I’ve seen him play so many times, but never better than today. Copil was a strong opponent – and who knew there were so many Roumanian fans in Gotham? – who took Go to a tie-breaker in the first set. The second set was pretty much dominated by the Japanese, and I sat in the high bleachers savoring the beautiful evening and the brilliance of Go’s playing.

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    Above: Go Soeda

    Overall, this was one of my happiest US Open experiences since I started going in 1998. The drawbacks were relatively minor, though annoying: cellphones, babbling bystanders who indulge in lengthy court-side conversations with friends while ignoring the match at hand, and – this year more than ever – huge number of babies being carried about by earnest moms. I wonder if it’s a good idea to bring tiny children out on such torrid days, a-glare with inescapable sunshine.

    I also wondered if the linesmen should be required to take an eye exam each year: there were so many bad calls along the way.

    My plan to return for the Thursday session was abandoned after I realized how sunburnt I had gotten on Wednesday. Hopefully some of my Wednesday heroes will continue to move onward.

  • The Rhinemaidens

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    Soprano Heidi Krall (above) leads a distinctive trio of Rhinemaidens in this excerpt from a 1957 Met RHEINGOLD:

    The Rhinemaidens ~ Das Rheingold – Heidi Krall – Rosalind Elias – Sandra Warfield – with Lawrence Davidson – Met bcast 1957 – Steidry cond

    Ms. Krall sang nearly 300 performances with the Metropolitan Opera Company, both at the Old Met and on tour. While usually heard in roles like Frasquita or The Priestess in AIDA, she did sing several Musettas, as well as appearing as Micaela, Donna Elvira, Nedda, and the 1st Lady in ZAUBERFLOETE.

  • Au cimetière

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    Above: Sunset Chapel in Acapulco

    Cemeteries have always fascinated me. As a teen-ager in the little town, I used to take my girlfriend to the local cemetery to make out. No one would think to look for us there, though we sometimes heard other couples nearby on moonlit nights.

    A great article – with photos – from Artsy here.

    Eleanor Steber – Au Cimetière from Berlioz’s LES NUITS D’ETE

     

  • Smoker

  • Abscheulicher! wo eilst du hin?

    E Connell FIDELIO

    Elizabeth Connell as Leonore in Beethoven’s FIDELIO.

    Abscheulicher! – FIDELIO – Elizabeth Connell – Met bcast 2~16~91

    “You monster! Where will you go?
    What have you planned in your cruel fury?
    The call of pity, the voice of mankind,
    Will nothing move your tiger’s heart?
    Like storm-driven ocean waves,
    Ire and anger rage in your breast.

    And yet, a rainbow on my path still shines,
    Which brightly rests o’er sombre clouds:
    It looks so calm, so peaceful to me,
    reminding me of happier days
    And soothing thus my troubled heart.

    Come hope, let not the last bright star
    be obscured by doubt!
    Illuminate my goal, however far:
    Through love I shall reach it still.

    I follow my inner calling,
    I shall not waver:
    Strength I derive
    From my marital vows.
    Oh you, for whom I have endured so much:
    If only I could penetrate
    Where malice has imprisoned you,
    And bring to you sweet comfort!
    I follow my inner calling…
    In faithfulness and love, I shall triumph!”